Straw dogs rape scene

Straw Dogs Rape Scene Bewertungen

Peckinpah's West Country western was controversial at the time and still has the power to shock. Probably most notorious for its double rape scene (made even. Find helpful customer reviews and review ratings for Straw Dogs - Wer Gewalt Probably most notorious for its double rape scene (made even more so by the. The sexual tension and latent violence finally erupt in an explosion of violence that includes a rape scene that has remained controversial to this day. The film. Consultare utili recensioni cliente e valutazioni per Straw Dogs - Wer Gewalt sät Probably most notorious for its double rape scene (made even more so by the​. Straw Dogs: Ultimate UK 40th Anniversary [Blu-ray] [Import anglais] Probably most notorious for its double rape scene (made even more so by the suggestion.

Straw dogs rape scene

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Straw Dogs Rape Scene Video

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Straw Dogs Rape Scene Video

Straw Dogs Sam Peckinpah's Masterpiece of Rape + Violence with Commentary at the end

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Uncut — September Buy Now. Niles says he does not know his way home. David says he does not either. Produced by Daniel Melnick, who had previously worked with Peckinpah on his television film Noon Wine , the screenplay began from Gordon Williams ' novel The Siege of Trencher's Farm , [11] with Peckinpah saying "David Goodman and I sat down and tried to make something of validity out of this rotten book.

We did. The only thing we kept was the siege itself". Peckinpah insisted on George, a relatively unknown actress in the US at that time. Interiors were shot at Twickenham Studios in London.

Williams' novel The Siege of Trencher's Farm relies on shock and violence to tide it over weakness in development, shallow characterization and lack of motivation.

For the first time Peckinpah really seems to be specializing in violence rather than exploring its effects and meanings I would have walked out of 'Straw Dogs' at several points if I'd been anything but a professional critic.

Other reviews were positive. Paul D. Zimmerman of Newsweek stated, "It is hard to imagine that Sam Peckinpah will ever make a better movie than Straw Dogs.

It flawlessly expresses his primitive vision of violence — his belief that manhood requires rites of violence, that home and hearth are inviolate and must be defended by blood, that a man must conquer other men to prove his courage and hold on to his woman.

Peckinpah creates a mood of impending violence with great skill. It is, I think, a better picture than 'The Wild Bunch,' less ritualistic and less appallingly graphic in its violence, and in fact less cynical.

Among later assessments, Entertainment Weekly in wrote that the contemporary interpretation was that of a "serious exploration of humanity's ambivalent relationship with the dark side", but it now seems an "exploitation bloodbath".

Along with Stanley Kubrick 's A Clockwork Orange , Straw Dogs stands as a transgressively violent, deeply '70s film; one that still retains its power to shock after all these years.

The consensus reads: "A violent, provocative meditation on manhood, Straw Dogs is viscerally impactful -- and decidedly not for the squeamish".

The film was controversial on its release, mostly because of the prolonged rape scene that is the film's centerpiece. Critics accused Peckinpah of glamorizing and eroticising rape and of engaging in misogynistic sadism and male chauvinism , [29] especially disturbed by the scene's intended ambiguity—after initially resisting, Amy appears to enjoy parts of the first rape, kissing and holding her attacker, although she later has traumatic flashbacks.

Author Melanie Williams, in her book, Secrets and Laws: Collected Essays in Law, Lives and Literature , stated, "the enactment purposely catered to entrenched appetites for desired victim behavior and reinforces rape myths ".

The violence provoked strong reactions, many critics seeing it an endorsement of violence as redemption, and the film as fascist celebration of violence and vigilantism.

Others see it as anti-violence, describing the bleak ending consequent to the violence. Dustin Hoffman viewed David as deliberately, yet subconsciously, provoking the violence, his concluding homicidal rampage being the emergence of his true self; this view was not shared by director Sam Peckinpah.

The village of St Buryan was used as a location for the filming with some of the locals appearing as extras.

Local author Derek Tangye reports in one of his books that they were not aware of the nature of the film at the time of filming, and were most upset to discover on its release that they had been used in a film of a nature so inconsistent with their own moral values.

The film had been released theatrically in the United Kingdom, with the uncut version gaining an 'X' rating in and the slightly cut US R-rated print being rated '18' in In March a partially edited print of Straw Dogs , which removed most of the second rape, was refused a video certificate when the distributor lost the rights to the film after agreeing to make the requested BBFC cuts, and the full uncut version was also rejected for video three months later on the grounds that the BBFC could not pass the uncut version so soon after rejecting a cut one.

This version was uncut, and therefore included the second rape scene, in which in the BBFC's opinion "Amy is clearly demonstrated not to enjoy the act of violation".

The cuts made for American distribution, which were made to reduce the duration of the sequence, therefore tended paradoxically to compound the difficulty with the first rape, leaving the audience with the impression that Amy enjoyed the experience.

The Board took the view in that the pre-cut version eroticised the rape and therefore raised concerns with the Video Recordings Act about promoting harmful activity.

The version considered in is substantially the original uncut version of the film, restoring much of the unambiguously unpleasant second rape. The ambiguity of the first rape is given context by the second rape, which now makes it quite clear that sexual assault is not something that Amy ultimately welcomes.

From Wikipedia, the free encyclopedia. Film by Sam Peckinpah. Theatrical release poster. David Zelag Goodman Sam Peckinpah.

Dustin Hoffman Susan George. Release date. Running time. United Kingdom [1] United States [1]. British Film Institute. Retrieved American Film Institute.

Retrieved May 7, British Board of Film Classification. Retrieved October 24, The A. GDP Then? Retrieved September 22, British Horror Film Locations.

McFarland, The Chicago Sun-Times. Retrieved February 6, — via rogerebert. The New York Times. Retrieved February 16, December 31, Retrieved February 6, The Washington Post.

B1, B7.

Straw dogs rape scene Straw dogs rape scene

Rate This. A young American and his English wife come to rural England and face increasingly vicious local harassment. Director: Sam Peckinpah. Available on Amazon.

Added to Watchlist. From metacritic. October Films of Films I've seen in Share this Rating Title: Straw Dogs 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

User Polls "Man vs. Nominated for 1 Oscar. Edit Cast Complete credited cast: Dustin Hoffman David Sumner Susan George Amy Peter Vaughan Tom Hedden T.

John Scott Del Henney Charlie Venner Jim Norton Chris Cawsey Donald Webster Riddaway Ken Hutchison Norman Scutt Len Jones Bobby Hedden Sally Thomsett Janice Hedden Bob Keegan Harry Ware Peter Arne John Niles Cherina Schaer Louise Hood Colin Welland Edit Storyline Upon moving to Britain to get away from American violence, astrophysicist David Sumner and his wife Amy are bullied and taken advantage of by the locals hired to do construction.

Edit Did You Know? Trivia Sam Peckinpah 's adaptation of the novel drew inspiration from Robert Ardrey 's books African Genesis and The Territorial Imperative, which argued that man was essentially a carnivore who instinctively battled over control of territory.

Goofs After Amy tells David to get some lettuce, David notices the addition symbol on his chalk board changed to subtract by Amy earlier on.

When he draws it back on, the symbol before it jumps from being an addition to a subtraction symbol. Quotes David Sumner : Why don't you grow up?

Amy Sumner : I'm trying to! Alternate Versions Available in an edited min R-rated version in addition to the uncut, unrated min.

Soundtracks Symphony No. User Reviews First rate thriller. Was this review helpful to you? Yes No Report this. Language: English.

Runtime: min min uncut. David returns much later, smarting from the practical joke the men pulled on him. Amy, though clearly upset, says nothing about the intruders and what they did to her, apart from a cryptic comment that escapes his attention.

The next day, David fires the workmen, ostensibly for their slow progress. Later, the Sumners attend a church social where Amy becomes distraught on seeing her rapists.

At the social, Janice invites Niles to leave with her and she begins to seduce him away from the crowd. When it is discovered that Janice is missing, a boy is sent to search for her, and as he calls out for her, Niles panics and strangles Janice to death.

The Sumners leave early, driving through thick fog, and accidentally hit Henry Niles as he is escaping the scene of the crime. They take him to their home and David phones the local pub to report the accident.

The locals, who in the meantime have learned that Janice was last seen with Niles, are thereby alerted to Niles's whereabouts.

Inferring their intention to lynch Niles, David refuses to let them take him, despite Amy's pleas. The standoff seems to unlock a territorial instinct in David: "I will not allow violence against this house.

Scott arrives to defuse the situation, but is accidentally shot dead by Hedden during a struggle. Realizing the danger to him in witnessing this homicide, David improvises various traps and weapons, including boiling oil, to fend off the attackers.

He inadvertently forces Hedden to shoot himself in the foot, knocks Riddaway unconscious and bludgeons Cawsey to death with a poker. Venner holds him at gunpoint, but Amy's screams alert both men when Scutt assaults her again.

Scutt suggests Venner join him in another gang rape , but Venner shoots him dead. David disarms Venner and in the ensuing fight snaps a displayed mantrap around Venner's neck, killing him.

Reviewing the resulting carnage and surprised by his own violence, David mutters to himself, "Jesus, I got 'em all.

David gets into his car to drive Niles back to the village. Niles says he does not know his way home. David says he does not either. Produced by Daniel Melnick, who had previously worked with Peckinpah on his television film Noon Wine , the screenplay began from Gordon Williams ' novel The Siege of Trencher's Farm , [11] with Peckinpah saying "David Goodman and I sat down and tried to make something of validity out of this rotten book.

We did. The only thing we kept was the siege itself". Peckinpah insisted on George, a relatively unknown actress in the US at that time.

Interiors were shot at Twickenham Studios in London. Williams' novel The Siege of Trencher's Farm relies on shock and violence to tide it over weakness in development, shallow characterization and lack of motivation.

For the first time Peckinpah really seems to be specializing in violence rather than exploring its effects and meanings I would have walked out of 'Straw Dogs' at several points if I'd been anything but a professional critic.

Other reviews were positive. Paul D. Zimmerman of Newsweek stated, "It is hard to imagine that Sam Peckinpah will ever make a better movie than Straw Dogs.

It flawlessly expresses his primitive vision of violence — his belief that manhood requires rites of violence, that home and hearth are inviolate and must be defended by blood, that a man must conquer other men to prove his courage and hold on to his woman.

Peckinpah creates a mood of impending violence with great skill. It is, I think, a better picture than 'The Wild Bunch,' less ritualistic and less appallingly graphic in its violence, and in fact less cynical.

Among later assessments, Entertainment Weekly in wrote that the contemporary interpretation was that of a "serious exploration of humanity's ambivalent relationship with the dark side", but it now seems an "exploitation bloodbath".

Along with Stanley Kubrick 's A Clockwork Orange , Straw Dogs stands as a transgressively violent, deeply '70s film; one that still retains its power to shock after all these years.

The consensus reads: "A violent, provocative meditation on manhood, Straw Dogs is viscerally impactful -- and decidedly not for the squeamish".

The film was controversial on its release, mostly because of the prolonged rape scene that is the film's centerpiece.

Critics accused Peckinpah of glamorizing and eroticising rape and of engaging in misogynistic sadism and male chauvinism , [29] especially disturbed by the scene's intended ambiguity—after initially resisting, Amy appears to enjoy parts of the first rape, kissing and holding her attacker, although she later has traumatic flashbacks.

Author Melanie Williams, in her book, Secrets and Laws: Collected Essays in Law, Lives and Literature , stated, "the enactment purposely catered to entrenched appetites for desired victim behavior and reinforces rape myths ".

The violence provoked strong reactions, many critics seeing it an endorsement of violence as redemption, and the film as fascist celebration of violence and vigilantism.

Others see it as anti-violence, describing the bleak ending consequent to the violence. Dustin Hoffman viewed David as deliberately, yet subconsciously, provoking the violence, his concluding homicidal rampage being the emergence of his true self; this view was not shared by director Sam Peckinpah.

The village of St Buryan was used as a location for the filming with some of the locals appearing as extras.

Local author Derek Tangye reports in one of his books that they were not aware of the nature of the film at the time of filming, and were most upset to discover on its release that they had been used in a film of a nature so inconsistent with their own moral values.

The film had been released theatrically in the United Kingdom, with the uncut version gaining an 'X' rating in and the slightly cut US R-rated print being rated '18' in In March a partially edited print of Straw Dogs , which removed most of the second rape, was refused a video certificate when the distributor lost the rights to the film after agreeing to make the requested BBFC cuts, and the full uncut version was also rejected for video three months later on the grounds that the BBFC could not pass the uncut version so soon after rejecting a cut one.

This version was uncut, and therefore included the second rape scene, in which in the BBFC's opinion "Amy is clearly demonstrated not to enjoy the act of violation".

The cuts made for American distribution, which were made to reduce the duration of the sequence, therefore tended paradoxically to compound the difficulty with the first rape, leaving the audience with the impression that Amy enjoyed the experience.

The Board took the view in that the pre-cut version eroticised the rape and therefore raised concerns with the Video Recordings Act about promoting harmful activity.

The version considered in is substantially the original uncut version of the film, restoring much of the unambiguously unpleasant second rape.

The ambiguity of the first rape is given context by the second rape, which now makes it quite clear that sexual assault is not something that Amy ultimately welcomes.

From Wikipedia, the free encyclopedia. Film by Sam Peckinpah. Theatrical release poster. David Zelag Goodman Sam Peckinpah. Dustin Hoffman Susan George.

Release date. Running time. United Kingdom [1] United States [1].

Straw Dogs Rape Scene Description

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